Patrick Martin, assistant professor of computer science, received the Claude C. Gravatt and Ann S. Gravatt Faculty Fellowship for "Live Coding Language for Real-Time Coordination of Human-Robot Teams." The fellowship, awarded by the University of Richmond, supports faculty research in STEM fields in the School of Arts & Sciences.
Joonsuk Park, associate professor of computer science, published the paper "ReSCORE: Label-free Iterative Retriever Training for Multi-hop Question Answering with Relevance-Consistency Supervision" in the Proceedings of the Association for Computational Linguistics (ACL).
Shweta Ware, assistant professor of computer science, and Laura Knouse, professor of psychology, along with Kritim Rijal, ‘25 published "SmartADHDMonitor: A Novel Approach to Automatic ADHD Monitoring Through Smartphone App Usage Data" in the proceedings of the 2025 IEEE 49th Annual Computers, Software, and Applications Conference (COMPSAC). Ware presented the paper at the conference.
Yucong Jiang, assistant professor of computer science, published “Performance Precision: a Software Prototype for Computer-assisted Annotation and Analysis of Music Performance” in the proceedings of the International Computer Music Conference (ICMC). Jiang presented the paper at the conference which had the theme Curiosity, Play, Innovation – A 50th Anniversary Celebration of Creativity in Music, Science and Technology.
Yucong Jiang, assistant professor of computer science, published “Piano Precision: Advancing Music Performance Analysis by Integrating User-correctable Audio-to-score Alignment” in the proceedings of Sound and Music Computing (SMC).
Patrick Martin, assistant professor of computer science, presented “On the Design and Implementation of a Live Human-Robot Coding Platform for Contemporary Dance Performances” at the International Conference on Live Coding.
Patrick Martin, assistant professor of computer science, along with students Tyeon Ford, ’27, and Jordan Attys, ’27, developed the robotics algorithms and wearable computing systems that facilitated the live choreography of humans and robots in “Interconnected,” an improvisational dance performance.